That morning,
as the news chattered
about broken records
we discovered the sandbox
––a haven for all things
static and plasticized––
frozen solid. The arms
of plastic men beckoned.
The maples bent over
with interest and ice.
With a few hours of work,
the action figures could have been
drying on the dish rack,
Spider Man dwarfed
by the china platter,
The Hulk roaring
face down into the dish towel,
but the howling alarm
from across the street
of a car impaled
by a fallen tree limb
shook us instead
into discovering
how difficult it is to tell
the difference between
shattered glass and ice.
Thursday, March 17, 2011
Thursday, March 03, 2011
Anecdote
There is also the matter of my uncle,
who, after the crash, was found
to have bent the steering wheel
around its steady column. His arms
are slack now, the skin loose, room
for so much more than is there,
but that day, so my aunt tells it,
the ring of the wheel curved in
on itself, like a taco shell, she always
says––for this is not the first time
we have heard the story; waiting
room, funeral home, church,
a podium facing lacquered pews––
weather always the same bone-
dry desert wind and a cloud of dust
that scuds onto the road, obscuring
the telephone pole like clockwork.
This is where we, having known
him, still manage to expect some
casual line, I'll be goddamned, when in fact
he was clearly blessed, but no matter
the repetitions, the story always ends
the same way: steering wheel bent
with his own two hands, hands that opened
the twisted door of the old truck,
brushed the glass from his shirt.
who, after the crash, was found
to have bent the steering wheel
around its steady column. His arms
are slack now, the skin loose, room
for so much more than is there,
but that day, so my aunt tells it,
the ring of the wheel curved in
on itself, like a taco shell, she always
says––for this is not the first time
we have heard the story; waiting
room, funeral home, church,
a podium facing lacquered pews––
weather always the same bone-
dry desert wind and a cloud of dust
that scuds onto the road, obscuring
the telephone pole like clockwork.
This is where we, having known
him, still manage to expect some
casual line, I'll be goddamned, when in fact
he was clearly blessed, but no matter
the repetitions, the story always ends
the same way: steering wheel bent
with his own two hands, hands that opened
the twisted door of the old truck,
brushed the glass from his shirt.
Thursday, January 27, 2011
The Personhood of Great Apes
Giraffes will kick their children over
when they try to stand at birth.
The nature special exhibits this
sad comedy as it happens time
and time again, until the infant
stands on wobbling knees and takes
a step backward to catch itself.
Then the mother starts to run.
John says this is what god intended
parenting to be, formative and
brutal––Kara says he's full of something
she fails to enunciate as the child
hefts its still-damp lank, takes
a buckling step and begins
to sprint. Commercials follow, buttoning
the moment shut, and I think, among
the empty pizza boxes and the couch
cushions none of us can stop
eviscerating piece by tiny piece, maybe
this is time's estranging project: that
every memory recalled can be altered;
that even when you tell the truth
someone will think you are lying.
Join the circus: BigTentPoetry.org
when they try to stand at birth.
The nature special exhibits this
sad comedy as it happens time
and time again, until the infant
stands on wobbling knees and takes
a step backward to catch itself.
Then the mother starts to run.
John says this is what god intended
parenting to be, formative and
brutal––Kara says he's full of something
she fails to enunciate as the child
hefts its still-damp lank, takes
a buckling step and begins
to sprint. Commercials follow, buttoning
the moment shut, and I think, among
the empty pizza boxes and the couch
cushions none of us can stop
eviscerating piece by tiny piece, maybe
this is time's estranging project: that
every memory recalled can be altered;
that even when you tell the truth
someone will think you are lying.
Join the circus: BigTentPoetry.org
Thursday, January 13, 2011
Blood Travels
In the planetarium, an indigo bunting,
wings clipped to keep her away
from the falsely turning sky, navigates
toward the most stationary star. She will
do the same given a sky full of made-up
constellations. She recalibrates in days.
Long haul truckers drive
the circumference of earth in distance
and continue, like starting a novel
over again the moment it is finished.
The tree upheaves the sidewalk daily.
Your blood travels miles per hour.
When you understand what you are
running from, the difference between
exploration and exile is negligible,
the quarter mile of platform
past the depot beckons you to chase
after every departing train.
wings clipped to keep her away
from the falsely turning sky, navigates
toward the most stationary star. She will
do the same given a sky full of made-up
constellations. She recalibrates in days.
Long haul truckers drive
the circumference of earth in distance
and continue, like starting a novel
over again the moment it is finished.
The tree upheaves the sidewalk daily.
Your blood travels miles per hour.
When you understand what you are
running from, the difference between
exploration and exile is negligible,
the quarter mile of platform
past the depot beckons you to chase
after every departing train.
Friday, January 07, 2011
On Viewing Family Photos After Christmas Dinner
My aunt's yellowing fingernail traces
her nervous smile, and this is when
I'm wondering whether I'll live
to see next year. Trust her to drop
this into casual conversation––
the growing fetus, her desperate
youth––then leave the moment
to hang like a dislocated limb.
In sixth grade gym, Tony Bower's arm
twisted, vine-like away from his body.
We were told not to look, though
all of us did as the teacher rested
a foot on his chest, told Tony,
told us all, he would count to three.
He pulled on two. Her son walks in,
and though he tells her, tells us,
don't be melodramatic, I hear
a limb being steadied, grasped,
wrenched back into place.
her nervous smile, and this is when
I'm wondering whether I'll live
to see next year. Trust her to drop
this into casual conversation––
the growing fetus, her desperate
youth––then leave the moment
to hang like a dislocated limb.
In sixth grade gym, Tony Bower's arm
twisted, vine-like away from his body.
We were told not to look, though
all of us did as the teacher rested
a foot on his chest, told Tony,
told us all, he would count to three.
He pulled on two. Her son walks in,
and though he tells her, tells us,
don't be melodramatic, I hear
a limb being steadied, grasped,
wrenched back into place.
Friday, December 31, 2010
How to Block an Alpaca Knit Scarf
The skin recognizes
what was hair, what pleases
the skin to be close, don't
give it a name
when you drown it,
don't celebrate or take
too reverent a time
stretching it past normalcy
and pinning down
its length. That said,
be kind––the fabric is weak
when saturated, too heavy
to do anything but sag itself
long and lacking if allowed.
Sort the rest of the laundry
by color, steady
your folds and do not think
too much about the fur
on your arms, gold
in the dingy basement light as you
brush the hair away from your eyes.
Join the circus: BigTentPoetry.org
what was hair, what pleases
the skin to be close, don't
give it a name
when you drown it,
don't celebrate or take
too reverent a time
stretching it past normalcy
and pinning down
its length. That said,
be kind––the fabric is weak
when saturated, too heavy
to do anything but sag itself
long and lacking if allowed.
Sort the rest of the laundry
by color, steady
your folds and do not think
too much about the fur
on your arms, gold
in the dingy basement light as you
brush the hair away from your eyes.
Join the circus: BigTentPoetry.org
Friday, September 24, 2010
Savonarola II
"Your city is now the city of God."
-Girolamo Savonarola
What do you expect a man to say
when he wants nothing
but your salvation? It wasn't
the threat of damnation
that got to us––we could tell
the time of day by his shadow
in the cathedral––it was the boys,
fanciulli, who went door to door,
asking us but what if he's on
to something? People have always
had a problem with the scrutiny
afforded by mirrors. It seemed
natural, that our reflections be
made enemies of ourselves.
You can't imagine how the palaces
shone in that dingy light,
the teeth of crenellations gnawing
at the city they overshadowed.
The proud, he said, fall
prey to themselves, and that was all
we needed to know about justice.
-Girolamo Savonarola
What do you expect a man to say
when he wants nothing
but your salvation? It wasn't
the threat of damnation
that got to us––we could tell
the time of day by his shadow
in the cathedral––it was the boys,
fanciulli, who went door to door,
asking us but what if he's on
to something? People have always
had a problem with the scrutiny
afforded by mirrors. It seemed
natural, that our reflections be
made enemies of ourselves.
You can't imagine how the palaces
shone in that dingy light,
the teeth of crenellations gnawing
at the city they overshadowed.
The proud, he said, fall
prey to themselves, and that was all
we needed to know about justice.
Friday, September 03, 2010
Eavesdroppings
We had lunch in the train station, herring, pickles, potato salad, vodka. Everything Russian. I told him today is such a poem and that my friend says that everything is a poem.––What did he say?––He said, well, he laughed.
Friday, August 27, 2010
Lounge Car: Charlie
I bought a Volkswagen after my tour in Germany,
top speed of maybe 75. Just enough to keep up
with the autobahn. The trains don't even chug
anymore, just sway. I say the most polished surface
in the world might be the top of the rails, which reminds
me of the bumper of that old Beetle which reminds me
of the absence of cow-catchers on trains today,
which didn't catch cows so much as split them in half.
It must have been the chill of the water that did it, holding
out his left hand that looks like a fractured cup, that one
long fissure in the brown earthen mug that refuses
to part, fingers at permanent grasp around the palmed scar.
They don't give you a purple heart for washing dishes
but they do send you home with your gun and hope
you finish the job––the war, some vendetta of the mind
against the flesh––yourself. He chuckles like the train wheels.
top speed of maybe 75. Just enough to keep up
with the autobahn. The trains don't even chug
anymore, just sway. I say the most polished surface
in the world might be the top of the rails, which reminds
me of the bumper of that old Beetle which reminds me
of the absence of cow-catchers on trains today,
which didn't catch cows so much as split them in half.
It must have been the chill of the water that did it, holding
out his left hand that looks like a fractured cup, that one
long fissure in the brown earthen mug that refuses
to part, fingers at permanent grasp around the palmed scar.
They don't give you a purple heart for washing dishes
but they do send you home with your gun and hope
you finish the job––the war, some vendetta of the mind
against the flesh––yourself. He chuckles like the train wheels.
Friday, August 20, 2010
Lounge Car: Becky
The second time she ran away she ended up
in North Dakota, and works a quilt beside me
as we hurtle through the badlands.
The only time I ever followed my grandfather
down to the river, I first met a bear that was eating
out of his palm. T-T-T-T-T go the telephone poles,
T-T-T-T-T go the shadows at a slant. He told me
sometimes friends shouldn't meet one-another.
The bowed grass and the flatlands convince me
that the bales of hay have rolled themselves.
The machines are all show. On the third night
the tree is tied with skulls at compass points.
The men, they cut, here––she pokes my chest, left
and here, right, and dance until the horns break
through the skin. Think about the forces
between passing trains, whether a bird flown
in between would feel the pull of east and west
and split, wing from wing, or if a balance
is struck between the points, and this bird (a starling,
probably, swooping over fresh cut grass beside the tracks)
could nest in the stillness of a storm that's all eyes.
in North Dakota, and works a quilt beside me
as we hurtle through the badlands.
The only time I ever followed my grandfather
down to the river, I first met a bear that was eating
out of his palm. T-T-T-T-T go the telephone poles,
T-T-T-T-T go the shadows at a slant. He told me
sometimes friends shouldn't meet one-another.
The bowed grass and the flatlands convince me
that the bales of hay have rolled themselves.
The machines are all show. On the third night
the tree is tied with skulls at compass points.
The men, they cut, here––she pokes my chest, left
and here, right, and dance until the horns break
through the skin. Think about the forces
between passing trains, whether a bird flown
in between would feel the pull of east and west
and split, wing from wing, or if a balance
is struck between the points, and this bird (a starling,
probably, swooping over fresh cut grass beside the tracks)
could nest in the stillness of a storm that's all eyes.
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